Classe Audio DAC-1 Owner's Manual Page 13

  • Download
  • Add to my manuals
  • Print
  • Page
    / 24
  • Table of contents
  • BOOKMARKS
  • Rated. / 5. Based on customer reviews
Page view 12
3.2.3 SYSTEM SETUP
This is another comprehensive setup section where
the overall system performance is set. Here is
where the theater system is matched to the
room characteristics and over-all listener taste
is appreciated. You will be asked to select in
turn Speaker setup, Delay setup, Balance setup,
Subwoofer limit and Feature setup. The purpose is
to define the operating character of the overall
system, and to enable the system to sound as
natural as possible in the room it is set up in. In
Speaker setup you are able to define the size and
number of speakers in the room.
In Delay Setup you are able to define the distance
the speakers are from each other as well as how
far they are from the ideal listening position.
We have provided a microphone to make this
procedure automatic.
In Balance setup you are asked to measure the
sound pressure level of the different speakers and
to set them to an approximate balance with each
other. Measurements are made at the preferred
listening position. We have provided a microphone
to make this procedure automatic. You can even
use the microphone to set input sensitivity for
analog and digital inputs.
Subwoofer Limit may be utilized to protect the
subwoofer from being overdriven by what may be
excessive amounts of low frequency information.
Feature setup gives you the opportunity to setup
the internal noise generator (used during Balance
setup), to define which language the screen should
communicate in, to reset to factory specifications,
and to see which software version is currently
installed on the processor.
3.2.4 MEMORY
You must these settings as you progress step-by-
step through the configuration process so that
an interruption will not result in lost effort.
We recommend you make a written copy
of all configuration choices to facilitate
future modifications.
So, that’s the overview of the SSP-75. In the
following sections of the manual we give you
some good advice on everything from getting
it safely out of the box to fully enjoying it in
the years to come.
SECTION 4:
GETTING STARTED
4.1 UNPACKING THE SSP-75
Your Classé SSP-75 is packed in high-density foam
inside a special cardboard container. To remove
the unit, carefully open and spread the box flaps.
(There are heavy duty staples under each end of
the lengthwise tape) Remove the two top foam
piece(s) and then carefully remove the SSP-75 itself.
Be careful with it while it is still covered in the
protective plastic, insuring that you do not rest it
on it’s front or rear, as possible damage to knobs
and connectors can occur. Put it down carefully
on a flat, soft surface. Take it out of the heavy
plastic bag and place the SSP-75 on a sturdy
surface. Carefully inspect it and report any
concealed damage to your dealer immediately.
In addition, look for the following accessories:
1) The Owner’s Manual (which, because you’re
reading it now, you’ve already found!)
2) One detachable AC power cord.
3) One remote control handset (with hex key
and two AAA batteries).
4) One Microphone (with 25’ cable and one
AA battery).
We strongly recommend that you save the
shipping carton and foam inserts. The REQUIRED
replacements are expensive to purchase from us.
The packaging was designed to protect the SSP-75
under almost all circumstances and will be very
useful in protecting the valuable electronic
instrument if you move or need to ship the
unit for any reason.
4.2 OPTIMAL PLACEMENT
Carefully locate the SSP-75. Follow the preceding
safety precautions (Page 3, of this manual)
regarding exposure to heat and moisture. In
addition, we do not recommend placing the
SSP-75 in direct sunlight. Stable, high-strength
shelving or equipment racks specifically designed
for audio/video components are best.
Place the SSP-75 close enough to other
components to allow convenient connection.
This is especially true for source components where
shorter cable runs are best. However, we do not
recommend closely stacking the SSP-75 with other
components, especially tuners, as they may be
affected by radio-frequency emissions from the
SSP-75’s microprocessor array.
Allow at least four inches of free space behind the
SSP-75 to accommodate interconnect cables, power
cords, etc. Four inches of unobstructed free space
above the SSP-75’s chassis cover will allow sufficient
air circulation to dissipate the small amount of heat.
Isolate power amplifiers as much as possible to
avoid the magnetic fields often generated by their
large power-supply transformers. The SSP-75’s
high current output stage is virtually immune to
problems sometimes encountered when the power
amplifiers are far away at the end of long cable
runs. Where you have a choice, we recommend
long interconnects and short speaker cables.
We also do not recommend placing the processor
near power amplifiers because they produce heat.
4.3 VENTILATION
CAUTION: Ventilation is very important. We do not
recommend attempting to operate the SSP-75 if
the ambient temperature exceeds 100 degrees F.
There are components inside which produce heat.
If there is insufficient ventilation around the chassis
the processor will overheat and may act erratically
until they cool. Any cabinet should have adequate
airflow to allow warm air to leave and cooler air
to enter. Positive ventilation is required in some
installations due to the amount of heat generated
by all the associated electronics.
13
Page view 12
1 2 ... 8 9 10 11 12 13 14 15 16 17 18 ... 23 24

Comments to this Manuals

No comments